I am a UK-registered architect and photographer based outside Oslo, Norway. My work focuses on architecture before completion, when its structure, systems and material logic remain visible.

My interest in architecture began during a childhood visit to Rome. Standing inside the Pantheon and later visiting Vatican City, I remember asking a simple question: how were these structures built? That curiosity about how things are made remains central to my work.

As an architect, I value the entire architectural process, from concept through to completion. The stage I find most compelling is construction, when drawings are translated into materials, structure and craft.

Construction sites reveal architecture in its most direct state. Before finishes are applied and systems concealed, the building’s underlying logic is exposed through its structure, services and envelope. This layered condition can be understood as an internal anatomy, where framework, circulation and surface operate together to give form to space.

Despite the central role of construction in shaping architecture, this stage often remains under-documented. Considerable effort is invested in the design and realisation of buildings, yet many are only recorded once complete, if at all. Images produced during construction are typically functional, informal records made during site visits rather than considered observations of the process itself.

Through photography, I document these transitional moments. Rather than focusing on completed buildings, I am drawn to architecture while it is still exposed and in the process of becoming. Photographing construction can be understood as a form of portraiture, capturing the subject before it is fully composed and presented, rather than at its most resolved.

Taken together, the work traces a cycle of transformation from extraction and erasure to construction, occupation and residual conditions.

The work explores different conditions of structure, systems and the construction of space, examining boundaries and horizons, residual forms, temporary interventions and internal systems.

Architecture and photography have long informed one another in my work. During my diploma studies at the University of North London, drawing, model making and photography were integral to my design process. Earlier influences include the etchings of Rembrandt and Giovanni Battista Piranesi, and the photography of Bill Brandt and Man Ray.